Walking with the Metropolis "People Puzzle', the audio overview provides exact directions for site visitors.
Newest business news about Strolling via the City "People Puzzle', the audio overview supplies accurate directions for visitors.
In the Egyptian event area of the Metropolitan Gallery of Art in New York City, German visitor Anna is stalling in front of a mommy from the 12th century BC - the tag on the display screen just mentions "The Coffin of Priest Nebmon", yet doesn't discuss what type of blessing spells are engraved on the hieroglyphics on the casket; in the European paint location next door, Japanese couple is staring at Rembrandt's "The Evening Watch", incapable to distinguish the "Baroque-style light and shadow" in the painting from the works of Rubens throughout the space. The audio overview in the interpreter's voice keeps repeating only "This is Rembrandt's work of art"; also further away in the Asian gallery, Middle Eastern tourists are taking pictures of Ming Dynasty blue and white porcelain with their phones, but they can not recognize the Chinese social signs concealed in "Blue and Eco-friendly Scroll Pattern", and can only sigh at the tag "Made during the power of Emperor Xuande of the Ming Empire".
As the "ceiling of the world's galleries" with over 300,000 exhibits covering 5,000 years of human people, the Metropolitan Museum obtains over 7 million abroad visitors yearly. However, for these tourists from afar, visiting the Metropolitan Gallery is much more like browsing a "social labyrinth" - social differences throughout civilizations, the anxiousness of choosing from a substantial collection of exhibitions, and the experience problems in several circumstances. Typical led excursions either "talk in a basic way without focusing", or "utilize jargon that is incomprehensible", or "lose link when relocating between exhibit halls". Yingmi, a business with 16 years of experience in the audio guide industry, didn't aim to offer a one-size-fits-all service. Instead, based upon the diversity of civilizations, the intricacy of the room, and the distinctions in visitors' demands, it created a flexible and versatile sound excursion remedy to assist international visitors "discover, understand, and keep in mind" in the substantial collection of exhibitions, really grasping the luster of human civilization
. The three "traps" that international visitors often fall into when seeing the Metropolitan Museum
The Metropolitan Gallery is not an average museum - it "relocations" Egyptian tombs, European palaces, and Oriental gardens right into the same structure, with exhibitions ranging from the 3000 BC Sumerian ceramic containers to modern art from the 20th century. The period and selection of the exhibits are so large that also numerous neighborhood visitors usually get lost. After seeing, international visitors commonly get stuck in 3 issues, which can not be addressed by simply "printing more language tags":
1. Cultural distinctions: "Can see the symbols, yet can not understand the story"
The displays of the Metropolitan Gallery include the "codes" of various worlds: the hieroglyphics on the Egyptian caskets, the patterns on Chinese blue and white porcelain, the geometric patterns on Islamic carpetings, and the symbolic aspects on European religious paintings. These symbols are commonly "familiar yet not understood" by foreign site visitors. Conventional assisted trips either just provide basic details, such as "This is a Qing Empire dragon bathrobe", but do not state "Five-clawed dragons stand for royal power, and four-clawed dragons are for nobility"; or force the organization of vacationers with familiar cultures, such as defining the geometric patterns on Islamic rugs as "Comparable to European mosaics", which instead misguides the cognition.
Extra problematic is the requirement of small language audio speakers - amongst the abroad visitors of the Metropolitan Gallery, the percentage of non-English and Spanish audio speakers surpasses 30%. Japanese, Arabic, and German visitors, frequently lacking corresponding explanations, can just "think the story" in front of the displays. A regional New York holiday company stats shows that annually, problems regarding the audio excursion at the Metropolitan Museum account for 65% of the feedback from vacationers who "could not comprehend the cultural signs", and many site visitors only keep in mind "seeing a great deal of old things", yet don't recognize "what world these points represent".
2. Large collection: "Weary from the scenic tour, can't realize the bottom lines" The Metropolitan Museum has more than 200 irreversible event halls.
If each exhibit is seen for 3 mins, it would certainly take 27 years to check out all the collections - foreign visitors normally have only 3-4 hours for their check out, and they are prone to "selection anxiousness": should they initially see the Egyptian mommies, or most likely to the European painting location? Which should they prioritize, the Chinese porcelain in the Eastern gallery or the Japanese ukiyo-e prints? The typical directed tours either offer "chronological" courses, such as "1st floor Egyptian gallery → second flooring European gallery → third flooring Asian gallery", without recommending based on the visitors' passions; or they clarify all the exhibitions in each gallery, such as in the European paint location, from the Renaissance to the Impressionism, with way too much info making it hard to keep in mind, and ending up "tired however nothing kept in mi
/>Extra significantly, the passions of different visitors differ substantially: some visitors come specifically to photo Monet's "Water Lilies", but are brought about enjoy half an hour of medieval shield; some visitors intend to learn about ancient Egyptian world, yet spend way too much time in the Greek exhibit room.his "uniform explanation" makes it difficult for foreign site visitors to "get the bottom lines they want to see" within the limited t
/>3. Facility scenes ： "Can not hear, experience obtains
/>The space scenes of the Metropolitan Museum are a lot more intricate than pictured ： the Egyptian gallery has a dark below ground hall with dim illumination, making the text on the display boards difficult to read ； the floor-to-ceiling glass windows in the European paint location mirror sunlight, interfering with the screen of the overview device ； when going across floors or event locations, the signal is commonly obstructed by thick wall surfaces - after finding out about the Egyptian mommies in the 1st floor gallery, when relocating to the 2nd flooring European gallery, the guide gadget all of a sudden ices up, and by the time it resumes, they have missed the history introduction of "The Broken Arm Venus" ； in the dark hall, adjusting the overview device either results in pressing the wrong button and jumping to the wrong web content, or the display is too dark to see the operation plainly, even the "time out" requires a long period of time to {find|dis
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These "scene {freezes|ices up}" {directly|straight} {interrupt|disrupt} the {visiting|going to|checking out|seeing} rhythm, {especially|particularly|specifically} for {foreign|international} {visitors|site visitors} {who|that} are {new|brand-new} to the Metropolitan {Museum|Gallery} and {unfamiliar with|not familiar with} the {routes|paths|courses}, {coupled|combined|paired} with an unsmooth {guided|directed|assisted|led} experience, they are {likely|most likely} to {fall into|fall under|come under} a "{tired|exhausted|worn out|weary} and {confused|baffled|overwh
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|sit
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II. Yingmi's {Solution|Service|Option|Remedy} ： "Not '{hardly|barely|rarely} {following|complying with|adhering to} {a template|a design template|a theme|a layout}', {but|however|yet} '{adapt|adjust
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When Yingmi {designed|developed|created|made} the {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {plan for|prepare for} the Metropolitan {Museum|Gallery}, she {didn't|really did not} {start|begin} with {technical|technological} {parameters|specifications|criteria}, {but|however|yet} had the {team|group} {stay|remain|keep} there for {a full|a complete} week - {following|complying with|adhering to} {different|various} {national|nationwide} {tourists|travelers|vacationers|visitors} to {follow|comply with|adhere to} the {routes|paths|courses}, {recording|tape-recording|taping|videotaping} where {visitors|site visitors} {stayed|remained} the {longest|lengthiest} in which {types of|kinds of|sorts of} {exhibits|exhibitions|displays}, in which scenes they were most {confused|baffled|overwhelmed}, and which {civilization|world|people|human being} {symbols|signs|icons} they were most {curious|interested} {about|regarding|concerning}. {Finally|Lastly|Ultimately}, the {plan|strategy} {presented|provided|offered} was all {based on|based upon} these "{real|genuine|actual} {needs|requirements|demands}", without "one-size-fits-all" {equipment|devices|tools} {recommendations|suggestions|referrals}, {only|just} "{tailored|customized} {solutions|services|opt
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1. Collection {selection|choice|option} ： "Not 'cover {everything|whatever|every little thing}', {only|just} '{select|choose|pick} the {key poin
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For the "{choice|option|selection} {anxiety|stress and anxiety|anxiousness}" of the {massive|huge|enormous|large|substantial} collection, Yingmi's {plan|strategy} {doesn't|does not} {pursue|go after|seek} "{all-encompassing|all-inclusive|comprehensive} {coverage|protection|insurance coverage}", {but|however|yet} {helps|assists|aids} {tourists|travelers|vacationers|visitors} "{precisely|exactly|specifically} {locate|find|situate} their {interests|rate of intere
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{Personalized|Customized|Individualized} {route|path|course} {recommendations|suggestions|referrals} ： The {plan|strategy} {will|will certainly} {recommend|suggest|advise} {different|various} {routes|paths|courses} {based on|based upon} the {type of|kind of|sort of} {visitor|site visitor} (art {lovers|enthusiasts|fans}, {history|background} {enthusiasts|lovers|fanatics}, {family|household|family members} {tourists|travelers|vacationers|visitors}) - for art {lovers|enthusiasts|fans}, it {recommends|suggests|advises} "European {painting|paint} {area|location} (Monet, Rembrandt) + {modern|contemporary|modern-day} art {area|location} (Picasso)" ； for {history|background} {enthusiasts|lovers|fanatics}, it {recommends|suggests|advises} "Egyptian gallery ({mummies|mommies}, {temple|holy place} {reliefs|alleviations}) + American gallery (Maya {civilization|world|people|human being})" ； for {family|household|family members} {tourists|travelers|vacationers|visitors}, it {recommends|suggests|advises} "{children|kids|youngsters}'s interactive {area|location} + Egyptian gallery ({exhibits|displays|shows} with {strong|solid} {visual|aesthetic} {impact|effect|influence})", each {route|path|course} is {marked|noted} with "{key|essential|crucial|vital} {exhibits|exhibitions|displays} + {recommended|suggested|advised} {stay|remain|keep} time", to {avoid|prevent|stay clear of} {tourists|travelers|vacationers|visitors} "{wasting time|losing time} aimlessly {bro
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{Key|Secret|Trick} {Exhibits|Exhibitions|Displays} Deep Dive: For the "{treasures|prizes} of the collection" of the Metropolitan {Museum|Gallery} (such as "The Broken Nefertiti", the {Temple|Holy place} of Dendara in Egypt, and the Yongle Imperial {Dictionary|Thesaurus} of China), the {exscription|description} {content|material|web content} {will|will certainly} be {more|much more|a lot more|extra} {in-depth|extensive|thorough|comprehensive}. {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} the {Temple|Holy place} of Dendara, it {will|will certainly} be {said|stated|claimed}, "This is {a gift|a present} from the Egyptian {government|federal government} to the {United States|USA}. It was {originally|initially} {located|situated} {beside|next to|close to} the Nile River and was {moved to|transferred to|relocated to} the Metropolitan {Museum|Gallery} to {avoid|prevent|stay clear of} being {submerged|immersed} by water. The {reliefs|alleviations} in the {temple|holy place} {record|document} the {ancient|old} Egyptian's sacrificial {rituals|routines}." {Instead of|Rather than|As opposed to} {simply|just|merely} {saying|stating|claiming} "This is {an ancient|an old} Egypt
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Lightweight {Information|Info|Details} {Presentation|Discussion}: {Avoid|Prevent|Stay clear of} "{information|info|details} {bombardment|barrage}". Each {exhibit|exhibition|display}'s {exscription|description} is {controlled|managed|regulated} within 1-2 {minutes|mins}, {only|just} {focusing on|concentrating on} "{the most|one of the most} core civilizational {values|worths} + {the most|one of the most} {interesting|fascinating|intriguing} {details|information}" - {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} Monet's "Water Lilies", it {will|will certainly} {say|state|claim}, "Monet's eyes were poor in his later years, {but|however|yet} he {used|utilized|made use of} {colors|shades} to {express|reveal|share} the light and {shadow|darkness} of the {pond|fish pond} at {different|various} times. This is {a representative|a depictive} {example|instance} of Impressionism's '{capturing|catching|recording} the {beauty|charm|appeal|elegance} of the {moment|minute}'." {Don't|Do not} {talk|speak|chat} {too much|excessive|way too much} {about|regarding|concerning} art {history|background} {theories|concepts}, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {easily|quickly|conveniently} {grasp|understand|comprehend|realize} the
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2. Scene {Adaptation|Adjustment}: "Not '{stacking|piling} {technologies|innovations|modern technologies}', {but|however|yet} '{solving|resolving|fixing|addressing} {pr
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les}'".
For the {complex|complicated|facility} spatial {scenarios|situations|circumstances} of the Metropolitan {Museum|Gallery}, Yingmi's {solution|service|option|remedy} {focuses on|concentrates on} "{solving|resolving|fixing|addressing} {practical|useful|functional|sensible} experience {problems|issues|troubles}". {Recommended|Suggested|Advised} scenario-based {solutions|servic
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Dark Hall Scene Optimization: For {replicas|reproductions} of Egyptian {tombs|burial places}, European {medieval|middle ages} {exhibition|exhibit|event} halls, {etc|and so on}, the {recommended|suggested|advised} {exscription|description} {solution|service|option|remedy} is "{automatic|automated} light {sensing|noticing|picking up} +voice control" - The {screen|display} will {automatically|immediately|instantly} {brighten|lighten up} according to the light, the {buttons|switches} {will|will certainly} have a soft backlight, and {tourists|travelers|vacationers|visitors} can {operate|run} without {having to|needing to} stand close; it {also|likewise|additionally} {supports|sustains} voice commands, {for example|for instance|as an example}, "{Explain|Discuss|Describe|Clarify} this {mummy|mommy}", the system will {automatically|immediately|instantly} match the {content|material|web content}, {avoiding|preventing|staying clear of} "{fumbling|stumbling|messing up|screwing up} {in the dark|at night} to {press|push} {buttons|switches}" {in the dark|
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Cross-Zone Signal {Stability|Security}: For the many {floors|floorings} and thick {walls|wall surfaces} of the Metropolitan {Museum|Gallery}, {traditional|conventional|standard|typical} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are prone to "{disconnection|interference} {across|throughout} {zones|areas}". The {solution|service|option|remedy} {adopts|embraces|takes on} 4GFSK anti-interference {technology|innovation|modern technology}, {setting|establishing} "signal {transition|shift|change} nodes" {between|in between} {exhibition|exhibit|event} halls, {so that|to ensure that|to make sure that} the signal will {automatically|immediately|instantly} {switch|change|switch over} when {tourists|travelers|vacationers|visitors} {walk|stroll} from the Egyptian {exhibition|exhibit|event} hall to the European {exhibition|exhibit|event} hall, without the {need|requirement|demand} to {manually|by hand} reconnect; for {group|team} {tourists|travelers|vacationers|visitors}, the {recommended|suggested|advisable|preferred} {group|team} {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {solution|service|option|remedy} has a signal {coverage|protection|insurance coverage} {range of|variety of|series of} 280 meters, even if {tourists|travelers|vacationers|visitors} {are in|remain in} {different|various} {corners|edges} of the {exhibition|exhibit|event} hall, they can {hear|listen to} the {tour guide|tourist
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{Long|Lengthy} Battery Life and Lightweight: {Considering|Thinking about|Taking into consideration} that the {average|typical|ordinary} {visiting|going to|checking out|seeing} time for {foreign|international} {tourists|travelers|vacationers|visitors} at the Metropolitan {Museum|Gallery} {is about|has to do with} 4 hours, the {equipment|devices|tools} in the {solution|service|option|remedy} {supports|sustains} 12 hours of {continuous|constant|continual} battery life, and is {equipped|geared up|furnished|outfitted} with {a portable|a mobile} charging box, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {quickly|rapidly|swiftly|promptly} {recharge|charge|reenergize} in the {rest|remainder} {area|location}; the {equipment|devices|tools} {weighs|evaluates|considers} less than 100 grams, which is {not difficult|easy|simple|uncomplicated} to {hang around|spend time} the neck or {put in|placed in} the pocket, and it {won't|will not} be tiring after {a whole|an entire} day of {visiting|goin
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {v
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{Conclusion|Final thought|Verdict}: {Let|Allow} the "{civilization|world|people|human being} {stories|tales}" of the Metropolitan {Museum|Gallery} be {understandable|reasonable|easy to understand} to every {tourist|tra
o
sitor}.
The {charm|appeal|beauty} of the Metropolitan {Museum|Gallery} {lies|exists} not in "{how many|the number of|the amount of} old {objects|items|things} are {stored|kept|saved}", {but|however|yet} in it being "the crossroads of human {civilization|world|people}" - {Here|Right here|Below}, you can see the {priest|clergyman}'s {coffin|casket} of {ancient|old} Egypt and the Chinese blue and white porcelain {communicating|interacting|connecting} with each other in mid-air, and see European {religious|spiritual} {paintings|paints} and Islamic {carpets|rugs|carpetings} sharing the {same|exact same|very same} {building|structure}. For {foreign|international} {tourists|travelers|vacationers|visitors}, coming {here|right here|below} is {not for|except} "taking {photos|pictures|images} for {posting|publishing|uploading}", {but|however|yet} to {find|discover|locate} {stories|tales} that can touch them {among|amongst} {different|various} {civilizations|wo
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Yingmi's Metropolitan {Museum|Gallery} voice-guided {tour|trip|excursion|scenic tour} {solution|service|option|remedy} does not {involve|include|entail} {fancy|elegant|expensive} {functions|features}, ying mi {but|however|yet} {rather|instead} {focuses on|concentrates on} "{helping|assisting|aiding} {tourists|travelers|vacationers|visitors} {understand|comprehend|recognize} the {symbols|signs|icons} of {civilization|world|people|human being}, find the key {points|factors} of the {visit|go to|check out|see|browse through}, and {solve|resolve|fix|address} scene {problems|issues|troubles}". It {is like|resembles} a "Know the {culture|society}, {know|understand|recognize} the {tourists|travelers|vacationers|visitors}" {guide|overview}, holding the hand of {foreign|international} {tourists|travelers|vacationers|visitors}, {interpreting|translating|analyzing} hieroglyphics in the Egyptian {exhibition|exhibit|event} hall, {distinguishing|differentiating|identifying} light and {shadow|darkness} {styles|designs} in the European {exhibition|exhibit|event} hall, and {understanding|comprehending|recognizing} porcelain patterns in the {Asian|Oriental|Eastern} {exhibition|exhibit|event} hall, {allowing|enabling|permitting} every {tourist|traveler|vacationer|visitor} to {find|discover|locate} the "{civilization|world|people|human being} {stories|tales}" they can {understand|comprehend|recognize} and {remember|keep in mind|bear in mind} {among|amongst} the {vast|large|hug
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{After all|Besides|Nevertheless}, {good|great|excellent} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are not "{instructing|advising} {information|info|details}", {but|however|yet} "{opening|opening up} a door" - What Yingmi did is to {help|assist|aid} {foreign|international} {tourists|travelers|vacationers|visitors} open this door, making the 5,000-year {civilization|world|people|human being} of the Metropolitan {Museum|Gallery} {no longer|no more} be "{ancient|old} {relics|antiques}" that are {distant|far-off|remote}, {but|however|yet} {exciting|interesting|amazing} {things|points} {within reach|accessible|available}.
Newest business news about Strolling via the City "People Puzzle', the audio overview supplies accurate directions for visitors.
In the Egyptian event area of the Metropolitan Gallery of Art in New York City, German visitor Anna is stalling in front of a mommy from the 12th century BC - the tag on the display screen just mentions "The Coffin of Priest Nebmon", yet doesn't discuss what type of blessing spells are engraved on the hieroglyphics on the casket; in the European paint location next door, Japanese couple is staring at Rembrandt's "The Evening Watch", incapable to distinguish the "Baroque-style light and shadow" in the painting from the works of Rubens throughout the space. The audio overview in the interpreter's voice keeps repeating only "This is Rembrandt's work of art"; also further away in the Asian gallery, Middle Eastern tourists are taking pictures of Ming Dynasty blue and white porcelain with their phones, but they can not recognize the Chinese social signs concealed in "Blue and Eco-friendly Scroll Pattern", and can only sigh at the tag "Made during the power of Emperor Xuande of the Ming Empire".
As the "ceiling of the world's galleries" with over 300,000 exhibits covering 5,000 years of human people, the Metropolitan Museum obtains over 7 million abroad visitors yearly. However, for these tourists from afar, visiting the Metropolitan Gallery is much more like browsing a "social labyrinth" - social differences throughout civilizations, the anxiousness of choosing from a substantial collection of exhibitions, and the experience problems in several circumstances. Typical led excursions either "talk in a basic way without focusing", or "utilize jargon that is incomprehensible", or "lose link when relocating between exhibit halls". Yingmi, a business with 16 years of experience in the audio guide industry, didn't aim to offer a one-size-fits-all service. Instead, based upon the diversity of civilizations, the intricacy of the room, and the distinctions in visitors' demands, it created a flexible and versatile sound excursion remedy to assist international visitors "discover, understand, and keep in mind" in the substantial collection of exhibitions, really grasping the luster of human civilization
. The three "traps" that international visitors often fall into when seeing the Metropolitan Museum
The Metropolitan Gallery is not an average museum - it "relocations" Egyptian tombs, European palaces, and Oriental gardens right into the same structure, with exhibitions ranging from the 3000 BC Sumerian ceramic containers to modern art from the 20th century. The period and selection of the exhibits are so large that also numerous neighborhood visitors usually get lost. After seeing, international visitors commonly get stuck in 3 issues, which can not be addressed by simply "printing more language tags":
1. Cultural distinctions: "Can see the symbols, yet can not understand the story"
The displays of the Metropolitan Gallery include the "codes" of various worlds: the hieroglyphics on the Egyptian caskets, the patterns on Chinese blue and white porcelain, the geometric patterns on Islamic carpetings, and the symbolic aspects on European religious paintings. These symbols are commonly "familiar yet not understood" by foreign site visitors. Conventional assisted trips either just provide basic details, such as "This is a Qing Empire dragon bathrobe", but do not state "Five-clawed dragons stand for royal power, and four-clawed dragons are for nobility"; or force the organization of vacationers with familiar cultures, such as defining the geometric patterns on Islamic rugs as "Comparable to European mosaics", which instead misguides the cognition.
Extra problematic is the requirement of small language audio speakers - amongst the abroad visitors of the Metropolitan Gallery, the percentage of non-English and Spanish audio speakers surpasses 30%. Japanese, Arabic, and German visitors, frequently lacking corresponding explanations, can just "think the story" in front of the displays. A regional New York holiday company stats shows that annually, problems regarding the audio excursion at the Metropolitan Museum account for 65% of the feedback from vacationers who "could not comprehend the cultural signs", and many site visitors only keep in mind "seeing a great deal of old things", yet don't recognize "what world these points represent".
2. Large collection: "Weary from the scenic tour, can't realize the bottom lines" The Metropolitan Museum has more than 200 irreversible event halls.
If each exhibit is seen for 3 mins, it would certainly take 27 years to check out all the collections - foreign visitors normally have only 3-4 hours for their check out, and they are prone to "selection anxiousness": should they initially see the Egyptian mommies, or most likely to the European painting location? Which should they prioritize, the Chinese porcelain in the Eastern gallery or the Japanese ukiyo-e prints? The typical directed tours either offer "chronological" courses, such as "1st floor Egyptian gallery → second flooring European gallery → third flooring Asian gallery", without recommending based on the visitors' passions; or they clarify all the exhibitions in each gallery, such as in the European paint location, from the Renaissance to the Impressionism, with way too much info making it hard to keep in mind, and ending up "tired however nothing kept in mi
/>Extra significantly, the passions of different visitors differ substantially: some visitors come specifically to photo Monet's "Water Lilies", but are brought about enjoy half an hour of medieval shield; some visitors intend to learn about ancient Egyptian world, yet spend way too much time in the Greek exhibit room.his "uniform explanation" makes it difficult for foreign site visitors to "get the bottom lines they want to see" within the limited t
/>3. Facility scenes ： "Can not hear, experience obtains
/>The space scenes of the Metropolitan Museum are a lot more intricate than pictured ： the Egyptian gallery has a dark below ground hall with dim illumination, making the text on the display boards difficult to read ； the floor-to-ceiling glass windows in the European paint location mirror sunlight, interfering with the screen of the overview device ； when going across floors or event locations, the signal is commonly obstructed by thick wall surfaces - after finding out about the Egyptian mommies in the 1st floor gallery, when relocating to the 2nd flooring European gallery, the guide gadget all of a sudden ices up, and by the time it resumes, they have missed the history introduction of "The Broken Arm Venus" ； in the dark hall, adjusting the overview device either results in pressing the wrong button and jumping to the wrong web content, or the display is too dark to see the operation plainly, even the "time out" requires a long period of time to {find|dis
>
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These "scene {freezes|ices up}" {directly|straight} {interrupt|disrupt} the {visiting|going to|checking out|seeing} rhythm, {especially|particularly|specifically} for {foreign|international} {visitors|site visitors} {who|that} are {new|brand-new} to the Metropolitan {Museum|Gallery} and {unfamiliar with|not familiar with} the {routes|paths|courses}, {coupled|combined|paired} with an unsmooth {guided|directed|assisted|led} experience, they are {likely|most likely} to {fall into|fall under|come under} a "{tired|exhausted|worn out|weary} and {confused|baffled|overwh
"
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {visitors|sit
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II. Yingmi's {Solution|Service|Option|Remedy} ： "Not '{hardly|barely|rarely} {following|complying with|adhering to} {a template|a design template|a theme|a layout}', {but|however|yet} '{adapt|adjust
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When Yingmi {designed|developed|created|made} the {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {plan for|prepare for} the Metropolitan {Museum|Gallery}, she {didn't|really did not} {start|begin} with {technical|technological} {parameters|specifications|criteria}, {but|however|yet} had the {team|group} {stay|remain|keep} there for {a full|a complete} week - {following|complying with|adhering to} {different|various} {national|nationwide} {tourists|travelers|vacationers|visitors} to {follow|comply with|adhere to} the {routes|paths|courses}, {recording|tape-recording|taping|videotaping} where {visitors|site visitors} {stayed|remained} the {longest|lengthiest} in which {types of|kinds of|sorts of} {exhibits|exhibitions|displays}, in which scenes they were most {confused|baffled|overwhelmed}, and which {civilization|world|people|human being} {symbols|signs|icons} they were most {curious|interested} {about|regarding|concerning}. {Finally|Lastly|Ultimately}, the {plan|strategy} {presented|provided|offered} was all {based on|based upon} these "{real|genuine|actual} {needs|requirements|demands}", without "one-size-fits-all" {equipment|devices|tools} {recommendations|suggestions|referrals}, {only|just} "{tailored|customized} {solutions|services|opt
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1. Collection {selection|choice|option} ： "Not 'cover {everything|whatever|every little thing}', {only|just} '{select|choose|pick} the {key poin
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For the "{choice|option|selection} {anxiety|stress and anxiety|anxiousness}" of the {massive|huge|enormous|large|substantial} collection, Yingmi's {plan|strategy} {doesn't|does not} {pursue|go after|seek} "{all-encompassing|all-inclusive|comprehensive} {coverage|protection|insurance coverage}", {but|however|yet} {helps|assists|aids} {tourists|travelers|vacationers|visitors} "{precisely|exactly|specifically} {locate|find|situate} their {interests|rate of intere
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{Personalized|Customized|Individualized} {route|path|course} {recommendations|suggestions|referrals} ： The {plan|strategy} {will|will certainly} {recommend|suggest|advise} {different|various} {routes|paths|courses} {based on|based upon} the {type of|kind of|sort of} {visitor|site visitor} (art {lovers|enthusiasts|fans}, {history|background} {enthusiasts|lovers|fanatics}, {family|household|family members} {tourists|travelers|vacationers|visitors}) - for art {lovers|enthusiasts|fans}, it {recommends|suggests|advises} "European {painting|paint} {area|location} (Monet, Rembrandt) + {modern|contemporary|modern-day} art {area|location} (Picasso)" ； for {history|background} {enthusiasts|lovers|fanatics}, it {recommends|suggests|advises} "Egyptian gallery ({mummies|mommies}, {temple|holy place} {reliefs|alleviations}) + American gallery (Maya {civilization|world|people|human being})" ； for {family|household|family members} {tourists|travelers|vacationers|visitors}, it {recommends|suggests|advises} "{children|kids|youngsters}'s interactive {area|location} + Egyptian gallery ({exhibits|displays|shows} with {strong|solid} {visual|aesthetic} {impact|effect|influence})", each {route|path|course} is {marked|noted} with "{key|essential|crucial|vital} {exhibits|exhibitions|displays} + {recommended|suggested|advised} {stay|remain|keep} time", to {avoid|prevent|stay clear of} {tourists|travelers|vacationers|visitors} "{wasting time|losing time} aimlessly {bro
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{Key|Secret|Trick} {Exhibits|Exhibitions|Displays} Deep Dive: For the "{treasures|prizes} of the collection" of the Metropolitan {Museum|Gallery} (such as "The Broken Nefertiti", the {Temple|Holy place} of Dendara in Egypt, and the Yongle Imperial {Dictionary|Thesaurus} of China), the {exscription|description} {content|material|web content} {will|will certainly} be {more|much more|a lot more|extra} {in-depth|extensive|thorough|comprehensive}. {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} the {Temple|Holy place} of Dendara, it {will|will certainly} be {said|stated|claimed}, "This is {a gift|a present} from the Egyptian {government|federal government} to the {United States|USA}. It was {originally|initially} {located|situated} {beside|next to|close to} the Nile River and was {moved to|transferred to|relocated to} the Metropolitan {Museum|Gallery} to {avoid|prevent|stay clear of} being {submerged|immersed} by water. The {reliefs|alleviations} in the {temple|holy place} {record|document} the {ancient|old} Egyptian's sacrificial {rituals|routines}." {Instead of|Rather than|As opposed to} {simply|just|merely} {saying|stating|claiming} "This is {an ancient|an old} Egypt
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Lightweight {Information|Info|Details} {Presentation|Discussion}: {Avoid|Prevent|Stay clear of} "{information|info|details} {bombardment|barrage}". Each {exhibit|exhibition|display}'s {exscription|description} is {controlled|managed|regulated} within 1-2 {minutes|mins}, {only|just} {focusing on|concentrating on} "{the most|one of the most} core civilizational {values|worths} + {the most|one of the most} {interesting|fascinating|intriguing} {details|information}" - {For example|For instance|As an example}, when {discussing|talking about|going over|reviewing} Monet's "Water Lilies", it {will|will certainly} {say|state|claim}, "Monet's eyes were poor in his later years, {but|however|yet} he {used|utilized|made use of} {colors|shades} to {express|reveal|share} the light and {shadow|darkness} of the {pond|fish pond} at {different|various} times. This is {a representative|a depictive} {example|instance} of Impressionism's '{capturing|catching|recording} the {beauty|charm|appeal|elegance} of the {moment|minute}'." {Don't|Do not} {talk|speak|chat} {too much|excessive|way too much} {about|regarding|concerning} art {history|background} {theories|concepts}, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {easily|quickly|conveniently} {grasp|understand|comprehend|realize} the
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2. Scene {Adaptation|Adjustment}: "Not '{stacking|piling} {technologies|innovations|modern technologies}', {but|however|yet} '{solving|resolving|fixing|addressing} {pr
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For the {complex|complicated|facility} spatial {scenarios|situations|circumstances} of the Metropolitan {Museum|Gallery}, Yingmi's {solution|service|option|remedy} {focuses on|concentrates on} "{solving|resolving|fixing|addressing} {practical|useful|functional|sensible} experience {problems|issues|troubles}". {Recommended|Suggested|Advised} scenario-based {solutions|servic
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Dark Hall Scene Optimization: For {replicas|reproductions} of Egyptian {tombs|burial places}, European {medieval|middle ages} {exhibition|exhibit|event} halls, {etc|and so on}, the {recommended|suggested|advised} {exscription|description} {solution|service|option|remedy} is "{automatic|automated} light {sensing|noticing|picking up} +voice control" - The {screen|display} will {automatically|immediately|instantly} {brighten|lighten up} according to the light, the {buttons|switches} {will|will certainly} have a soft backlight, and {tourists|travelers|vacationers|visitors} can {operate|run} without {having to|needing to} stand close; it {also|likewise|additionally} {supports|sustains} voice commands, {for example|for instance|as an example}, "{Explain|Discuss|Describe|Clarify} this {mummy|mommy}", the system will {automatically|immediately|instantly} match the {content|material|web content}, {avoiding|preventing|staying clear of} "{fumbling|stumbling|messing up|screwing up} {in the dark|at night} to {press|push} {buttons|switches}" {in the dark|
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Cross-Zone Signal {Stability|Security}: For the many {floors|floorings} and thick {walls|wall surfaces} of the Metropolitan {Museum|Gallery}, {traditional|conventional|standard|typical} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are prone to "{disconnection|interference} {across|throughout} {zones|areas}". The {solution|service|option|remedy} {adopts|embraces|takes on} 4GFSK anti-interference {technology|innovation|modern technology}, {setting|establishing} "signal {transition|shift|change} nodes" {between|in between} {exhibition|exhibit|event} halls, {so that|to ensure that|to make sure that} the signal will {automatically|immediately|instantly} {switch|change|switch over} when {tourists|travelers|vacationers|visitors} {walk|stroll} from the Egyptian {exhibition|exhibit|event} hall to the European {exhibition|exhibit|event} hall, without the {need|requirement|demand} to {manually|by hand} reconnect; for {group|team} {tourists|travelers|vacationers|visitors}, the {recommended|suggested|advisable|preferred} {group|team} {guided|directed|assisted|led} {tour|trip|excursion|scenic tour} {solution|service|option|remedy} has a signal {coverage|protection|insurance coverage} {range of|variety of|series of} 280 meters, even if {tourists|travelers|vacationers|visitors} {are in|remain in} {different|various} {corners|edges} of the {exhibition|exhibit|event} hall, they can {hear|listen to} the {tour guide|tourist
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{Long|Lengthy} Battery Life and Lightweight: {Considering|Thinking about|Taking into consideration} that the {average|typical|ordinary} {visiting|going to|checking out|seeing} time for {foreign|international} {tourists|travelers|vacationers|visitors} at the Metropolitan {Museum|Gallery} {is about|has to do with} 4 hours, the {equipment|devices|tools} in the {solution|service|option|remedy} {supports|sustains} 12 hours of {continuous|constant|continual} battery life, and is {equipped|geared up|furnished|outfitted} with {a portable|a mobile} charging box, {allowing|enabling|permitting} {tourists|travelers|vacationers|visitors} to {quickly|rapidly|swiftly|promptly} {recharge|charge|reenergize} in the {rest|remainder} {area|location}; the {equipment|devices|tools} {weighs|evaluates|considers} less than 100 grams, which is {not difficult|easy|simple|uncomplicated} to {hang around|spend time} the neck or {put in|placed in} the pocket, and it {won't|will not} be tiring after {a whole|an entire} day of {visiting|goin
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{latest|newest|most current|most recent} {company|business|firm} {news|information} {about|regarding|concerning} {Strolling|Walking} {through|with|via} the {Metropolis|City|Metropolitan Area} "{Civilization|World|People|Human Being} {Maze|Labyrinth|Puzzle}', the audio {guide|overview} {provides|offers|supplies|gives} {precise|accurate|exact|specific} {directions|instructions} for {v
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{Conclusion|Final thought|Verdict}: {Let|Allow} the "{civilization|world|people|human being} {stories|tales}" of the Metropolitan {Museum|Gallery} be {understandable|reasonable|easy to understand} to every {tourist|tra
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The {charm|appeal|beauty} of the Metropolitan {Museum|Gallery} {lies|exists} not in "{how many|the number of|the amount of} old {objects|items|things} are {stored|kept|saved}", {but|however|yet} in it being "the crossroads of human {civilization|world|people}" - {Here|Right here|Below}, you can see the {priest|clergyman}'s {coffin|casket} of {ancient|old} Egypt and the Chinese blue and white porcelain {communicating|interacting|connecting} with each other in mid-air, and see European {religious|spiritual} {paintings|paints} and Islamic {carpets|rugs|carpetings} sharing the {same|exact same|very same} {building|structure}. For {foreign|international} {tourists|travelers|vacationers|visitors}, coming {here|right here|below} is {not for|except} "taking {photos|pictures|images} for {posting|publishing|uploading}", {but|however|yet} to {find|discover|locate} {stories|tales} that can touch them {among|amongst} {different|various} {civilizations|wo
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Yingmi's Metropolitan {Museum|Gallery} voice-guided {tour|trip|excursion|scenic tour} {solution|service|option|remedy} does not {involve|include|entail} {fancy|elegant|expensive} {functions|features}, ying mi {but|however|yet} {rather|instead} {focuses on|concentrates on} "{helping|assisting|aiding} {tourists|travelers|vacationers|visitors} {understand|comprehend|recognize} the {symbols|signs|icons} of {civilization|world|people|human being}, find the key {points|factors} of the {visit|go to|check out|see|browse through}, and {solve|resolve|fix|address} scene {problems|issues|troubles}". It {is like|resembles} a "Know the {culture|society}, {know|understand|recognize} the {tourists|travelers|vacationers|visitors}" {guide|overview}, holding the hand of {foreign|international} {tourists|travelers|vacationers|visitors}, {interpreting|translating|analyzing} hieroglyphics in the Egyptian {exhibition|exhibit|event} hall, {distinguishing|differentiating|identifying} light and {shadow|darkness} {styles|designs} in the European {exhibition|exhibit|event} hall, and {understanding|comprehending|recognizing} porcelain patterns in the {Asian|Oriental|Eastern} {exhibition|exhibit|event} hall, {allowing|enabling|permitting} every {tourist|traveler|vacationer|visitor} to {find|discover|locate} the "{civilization|world|people|human being} {stories|tales}" they can {understand|comprehend|recognize} and {remember|keep in mind|bear in mind} {among|amongst} the {vast|large|hug
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{After all|Besides|Nevertheless}, {good|great|excellent} {guided|directed|assisted|led} {tours|trips|excursions|scenic tours} are not "{instructing|advising} {information|info|details}", {but|however|yet} "{opening|opening up} a door" - What Yingmi did is to {help|assist|aid} {foreign|international} {tourists|travelers|vacationers|visitors} open this door, making the 5,000-year {civilization|world|people|human being} of the Metropolitan {Museum|Gallery} {no longer|no more} be "{ancient|old} {relics|antiques}" that are {distant|far-off|remote}, {but|however|yet} {exciting|interesting|amazing} {things|points} {within reach|accessible|available}.